KÖNIG GALERIE
JORINDE VOIGTTHE REAL EXTENTST. AGNES | NAVE
Jorinde Voigt’s drawings and sculptural works develop rigorous, idiosyncratic systems to depict how one’s inner world—such as personal experience, emotion, and memory—intersects with external conditions. The artist’s ongoing Immersive/Integral series articulates an ever-expanding lexicon of forms: scribbled notations, swiftly looping lines, jagged eruptions of gold leaf, and rhythmic vertical strokes. A recurring motif in the series is the torus, a donut shape that lacks a clear boundary between inside and outside. For the French psychoanalyst Jacques Lacan, the topology of this form exemplified how the unconscious is not merely an interior psychic system, but intersubjective by nature.
21 FEBRUARY – 5 APRIL 2020
21 FEBRUARY – 5 APRIL 2020
JEPPE HEIN
NOTHING IS AS IT APPEARSST. AGNES | CHAPEL
Nothing is as it appears exhibits sculptural objects that bring viewers closer to themselves, to their environment, and to each other. The exhibition relates to the same-titled book which invites people to discover the subtle connection between yoga and Hein‘s art. Referring to different yoga poses, or asanas (body positions), sometimes a work’s relationship to a pose is presented playfully, as tongue-in-cheek. Other times, the connection is more fundamental to an assembled,
Nothing is as it appears exhibits sculptural objects that bring viewers closer to themselves, to their environment, and to each other. The exhibition relates to the same-titled book which invites people to discover the subtle connection between yoga and Hein‘s art. Referring to different yoga poses, or asanas (body positions), sometimes a work’s relationship to a pose is presented playfully, as tongue-in-cheek. Other times, the connection is more fundamental to an assembled,