Artland’s Daily Art Pick

Every day collectors at Artland share variety of artworks from around the world, both from their personal collections as well as pieces they’ve seen in a recent gallery opening or got inspired by on the web.

In this feature, we will be presenting you with the highlight of the day, the most interesting, inspiring or moving piece of art posted in the app in the last days together with name of the collector who shared it.

Check the collector’s profile in the app to see their entire collection!

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About the artist

Julie Curtiss is a French artist based in Brooklyn. In 2004, she studied at the Art Institute of Chicago thanks to a Louis Vuitton Moet Hennessy Award. After her graduation from l’Ecole des Beaux-arts of Paris in 2006, she lived in Tokyo. Influenced by the local art scene and Japanese graphic imagery, she started a new body of works focusing on drawing. After a brief come back in France, she finally settled in Brooklyn in 2010 and was recipient of a Van Lier Fellowship from the New York Foundation for the Arts in 2012. Curtiss shows her works in various venues and galleries of the New York City area.

I enjoy associating humor with darkness, the uncanny and the mundane, grotesque shapes to vivid colors. I work from mental notes or imagination. With ideas of narration, I will utilize recurring elements from one painting to another, or leave some of the action outside the frame, thus creating a form of suspense.

My artworks are psychological. By omitting parts of an image or suggesting abnormal situations, I would like to contrast a feeling of familiarity with surrealism.

I am interested in the various aspects that female identity can take, especially through the opposite notions of Nature and Culture. I like to represent smoking teacups and cigarettes, objects that call to mind a domestic, tamed image of women. On the other side, organic, ambiguous body parts allude to the archetype of a woman fused with nature and her animalistic drive.

With faceless portraits of women, gnarled fingers and toes, and voluptuous bodies composed of hair, I would like to present the viewer with an enigmatic puzzle, an invitation to reflect on the idea of an unfixed, ever-changing self.


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