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Lost (and Found) Artist Series: Ruth Asawa

Ruth Asawa
Ruth Asawa. Courtesy Estate of Ruth Asawa

By Shira Wolfe

“I hold no hostilities for what happened; I blame no one. Sometimes good comes through adversity. I would not be who I am today had it not been for the Internment, and I like who I am.”

Ruth Asawa

Artland’s Lost (and Found) Artist Series focuses on artists who were originally omitted from the mainstream art canon or largely invisible for most of their career. Ruth Asawa was a Japanese-American artist best known for her extensive body of hanging wire sculptures. Asawa studied at Black Mountain College under Joseph Albers. The artist has been exhibited since the 1950s, but it took until the 2010s for Asawa to receive more large-institutional attention. Her estate has been represented by David Zwirner Gallery since 2017, and in 2018-2019, the Pulitzer Arts Foundation in St. Louis presented “Ruth Asawa: Life’s Work”, her first major museum exhibition in over a decade.


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Ruth Asawa Sculpture
Ruth Asawa, installation view of “Ruth Asawa: Life’s Work,” 2018–19. Photo: Alise O’Brien Photography, Courtesy The Estate of Ruth Asawa and David Zwirner

“I was interested in it because the economy of a line, making something in space, enclosing it without blocking it out. It’s still transparent. I realized that if I was going to make these forms, which interlock and interweave, it can only be done with a line because a line can go anywhere.”

– Ruth Asawa

Ruth Asawa’s Beginnings in Art

Ruth Asawa first came into contact with the arts in 1942, when she was 16 years old, and her family was detained in internment camps in the United States. In the period of the Second World War, Japanese Americans were considered a threat to the country and held captive in these camps. Because the young Asawa now had much more time on her hands – after all, she had been used to working on her father’s farm for many hours every day – she started spending her time drawing. Later, at Rohwer internment camp in Arkansas, some of Walt Disney’s illustrators were also interned there, and would teach art classes to other detainees. Asawa spent several days making art with them. After her release, she enrolled in Milwaukee State Teacher’s College in 1943 but was unable to receive her degree due to hostility against Japanese Americans. So, in 1946, Asawa left to study at the progressive Black Mountain College in North Carolina, the avant-garde experimental arts university, where she was shaped by great artists like Josef Albers.


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Black Mountain College

Black Mountain College produced some of the most celebrated artists of the 20th century, attracting artists including the likes of John Cage, Robert Rauschenberg, Cy Twombly, and Willem and Elaine de Kooning. At Black Mountain College, Asawa was greatly influenced by Joseph Albers, Buckminster Fuller, and by the mathematician Max Dehn.

In the late 1940s at Black Mountain, she started experimenting with looped-wire sculptures, which challenged conventional notions of material and form by focusing on lightness and transparency. Inspired by a 1947 trip to Mexico where local craftsmen taught her to make baskets from wire, as well as her lessons in colour and composition from Albers, Asawa started to develop what would become her signature style.

Albers’ classes were all about teaching students to do something with a material which is unique to its properties. It was about respecting the integrity of the materials.

Ruth Asawa, Continuous (S.340, Hanging, Miniature Single-Lobed, Three Layered Continuous Form within a Form), c. 1981-1982

Ruth Asawa’s Looped-Wire Sculptures

Throughout her career, Asawa created her looped-wire sculptures in various complex, interwoven configurations. What set Asawa’s sculptures apart from others working in sculpture was their lightness and transparency, as well as their movement, since they were often suspended from the ceiling.

About her explorations with wire sculptures, she said: “I found myself experimenting with wire. I was interested in the economy of a line, enclosing three-dimensional space. I realized that I could make wire forms interlock, expand, and contract with a single strand because a line can go anywhere.”

Ruth Asawa: Untitled.. Modernisms 1900-1980. Courtesy Khan Academy and Crystal Bridges Museum of American Art

Asawa made small spheres, but also long, elaborate “form within a form” compositions, creating nested shapes from one continuous line of looped wire. She also worked with hyperbolic shapes, suspended cones and interlocking spheres.

Asawa art
Ruth Asawa, Untitled (S. 177), ca. 1962. Courtesy Estate of Ruth Asawa

Ruth Asawa’s Tied-Wire Sculptures

In 1962, Asawa started a new series of tied-wire sculptures, exploring organic forms and processes. Using industrial wire as a means of sculpting, she created all kinds of hanging and wall-mounted variations on this form throughout her career.

She would often use the words “tree” and “branching form” to describe her tied-wire sculptures. Beginning with a centre stem of 200 to 1000 wires, she would then divide these into branches, inspired by nature. Later, she moved into more abstract forms with geometric centres of 4, 5, 6 and 7 points. As with her other sculptural works, the tied-wire forms gave her the freedom to explore how the relation between inside and outside was interdependent and integral.

installation view ruth asawa
Ruth Asawa Installation View, Courtesy David Zwirner Gallery

Ruth Asawa Today

Although Asawa exhibited since the 1950s, it took a long time for her art to be truly appreciated and understood on a larger international scale. The past few years have seen a true resurgence in attention for Asawa’s delicate and profound sculptural forms. In 2017, David Zwirner Gallery became the sole representative of her estate, and put on the first exhibition dedicated to her work. Since then, the large retrospective “Ruth Asawa: Life’s Work”, organised by the Pulitzer Arts Foundation, was staged in St. Louis in 2018-2019. This was Asawa’s first large museum exhibition in over a decade. Next up, from 10 January – 22 February 2020, David Zwirner will put on the first major exhibition of Ruth Asawa’s works outside the US, at the gallery’s London location. “Ruth Asawa – A Line Can Go Anywhere” promises to be a show to remember.

Relevant sources to learn more

To learn more about the life and work of Ruth Asawa, explore:

Ruth Asawa website

David Zwirner Gallery

Who was Ruth Asawa?

Ruth Asawa was a Japanese-American artist who studied at Black Mountain College in the 1940s, and became known for her intricate looped-wire and tied-wire sculptures.

How did Ruth Asawa create her sculptures?

Ruth Asawa made her sculptures using continuous interlocking an interweaving lines of looped wire, or working with branching forms inspired by nature, or more abstract forms with geometric centres.


When did Ruth Asawa die?

Ruth Asawa died in 2013.


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